Mobles 114 begins a new journey.

 

After 50 years of history, we commit on the essentials: designs that accompany, endure, and transcend generations.

 

We are focusing on three pillars of our collection: Tria shelvings, a selection of Classics, and Pey table system.

 

Looking for a product that’s no longer on the website? Write to us at [email protected], and we’ll help you find it.

Company

Mobles 114 is a Barcelona-based company founded in 1973. It offers a collection of furniture and objects designed with people in mind.

The furniture is intended for living spaces, regardless of trends, consciously designed and made with quality and durable materials, whether for domestic, work, or collective environments.

For over 50 years, Mobles 114 has been offering furniture and objects, some iconic, to accompany people throughout their lives with the intention that these pieces become part of their space silently and pass from generation to generation

History

Mobles 114 was founded in Barcelona in 1973 by designers JM Massana, JM Tremoleda, and Mariano Ferrer. Its first headquarters were located at Carrer d’Enric Granados 114, and this is the origin of the name.

With a clear focus on international markets, Mobles 114 quickly grew into the company it is today: a design furniture firm dedicated to championing and promoting timeless, aesthetically pleasing, and functional design worldwide.
Throughout its history, Mobles 114 has collaborated with renowned designers, architects, and artists such as Isamu Noguchi, Enzo Mari, Oscar Tusquets, Álvaro Siza, and Javier Mariscal, among many others.

Editors

Mobles 114 is committed to designing furniture with creators who prioritize simplicity and strip away the unnecessary, producing pieces built to last.

Editions, designers and authors

Over the past fifty years, we have built a product catalogue through collaboration with designers and creators from a variety of fields, each contributing their expertise to find the best solutions. This teamwork strengthens not only the products but also the designers and the company itself.

From this editorial approach, initiated by founders JM Massana and JM Tremoleda, has emerged a catalogue with its own distinctive character—still relevant today—that pays close attention to shapes, materials, and functionality to ensure pieces are practical, comfortable, understated, and long-lasting.

Designers

We have faith in the talent and know-how of our designers to create furniture that lasts; universal pieces of furniture with their own character that help to enhance architecture and add comfort to spaces in different cultures in the world. For Mobles 114, producing means choosing the best designers for the products in our catalogue: promoting creativity through our firm commitment to aesthetic, contemporary values.

Committed

with creativity, sustainability, people, and memory

Creation

Creating furniture designed by authors who seek simplicity and avoid the unnecessary to obtain furniture or objects that endure over time.ustainabilityFostering 100% local production and a continuous improvement process of products and production processes with the aim of reducing our environmental impact.

Production

Maintaining a close relationship with a local network of suppliers from the province of Barcelona since our beginnings.

People

Promoting the teamwork of all the people involved in the company; whether it’s the people who are part of it or our suppliers and customers who participate in the sale of quality products for people who value them.

Memory

Recovering furniture and objects that we believe are part of the material heritage of our culture. We do this through the search for furniture that is not on the market and that we incorporate into our Classics collection.

Classic

A selection of furniture and objects rescued from collections, museums, publications, or historic editions

Classic Collection

What is Classic?

With the Classic collection, we aim to rescue furniture and objects from oblivion or museum collections because we believe they are part of the material heritage of our culture. We do this through the search for furniture that is not on the market and that we incorporate because, due to their conception and design, they retain their relevance intact.